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Kyle McCrosson

Kyle McCrosson is a musician, performer, songwriter, sound designer, and producer from Bayport, New York. Computer Science, Music Composition & Technology major. His interest in music began with piano lessons from the age of 6. From there, he learned the trumpet and the French horn in school, and taught himself to play the guitar and electric bass. In middle school, he began writing his own melodies on the piano-- something that has blossomed into a long love of songwriting. Throughout his five years at Northeastern studying computer science and music composition and technology, he has had the opportunity to compose for small ensembles, do sound design for student animations and plays, and expand his knowledge of sound synthesis techniques. His most current, ongoing project has been writing, producing, and recording electronic pop music under the stage-name 'Kale'.

Building Birds

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Acoustic Works

Deviation

Spring 2017

Clarinet, Cello, and Piano (Juventas New Music Ensemble)

Score

‘Deviation’ is a piece for clarinet, cello, and piano that Kyle composed as a part of his composition lessons at Northeastern. It begins with a calm and serene melody, passing between the three instruments, but takes a dramatic and suspenseful turn when it dips into the relative minor. The piece comes around to a conclusive final section when the melody from the beginning re-emerges, in a slower and grander expression of the initial idea. This was one of the first classical pieces that Kyle composed for a small ensemble. Most of his prior pieces consisted of piano solos.

Fixed Media Works

digital_forest

Fall 2019


'digital_forest' is an exploration of the use of synthesized birdcall as a compositional tool. The piece begins in a natural-feeling forest soundscape, with the gradual introduction of a variety of bird calls in a type of call and response. Gradually, the composition transitions into a rhythmically-based section where the sounds that were previously making up the soundscape are now used almost as percussion instruments. 'digital_forest' builds to a climax when the bird call sounds devolve into their base waveforms, revealing the primitive synthesis that was used to create them as the rhythm falls apart into chaos. While simultaneously being a study of physical modeling synthesis and soundscape composition, 'digital_forest' also serves to show listeners that all that appears real in the digital age may in fact be manufactured beneath the surface.

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